By the 1890s, the financial worries that had plagued Monet for most of his life were coming to an era and he was able to buy Giverny - in fact he had established some wealth and was able to
lavish his money on his own home and garden for the first time. It would result in a stunning and unique property, which included the most exciting garden - designed by the artist - and its
Water Lily Pond with Japanese Bridge. Planning permission was granted in 1893 and he spent much of his focus on the bridge in his works. Incredibly, he only painted about three works of
the lily pond up to 1897, This work, from 1899, is exquisite in its composition of background trees, weeping willow, and the bridge, which underwent many alterations up to 1910. The pond here
is literally obliterated by vegetation and lilies. It is composed by short brushstrokes - a familiar method during his mature years. In a letter, Monet described how he had planted the water
lilies for fun - he had never intended painting them, however, once they established themselves they almost became his only source of inspiration. He wrote: "I saw, all of a sudden, that
my pona had become enchanted... Since then, I have had no other model."
When Monet exhibited these paintings at Durand - Ruel's gallery in 1890, a number of critics mentioned his debt to Japanese art. More telling, the impenetrable green enclosure - heightened in the National Gallery painting by the placement of the top of the bridge's arch just below the painting's top edge - harkens back to the hortus conclusus (closed garden) of medieval images, while also evoking a dreamlike contemplative zone consonant with symbolist literature, especially poems such as "Le Nénuphar blanc" by Stéphane Mallarmé. Gustave Geffroy described this effect in his review of the exhibition (Le Journal, November 26, 1900), speaking of "this minuscule pool where some mysterious corollas blossom," and "a calm pool, immobile, rigid, and deep like a mirror, upon which white water lilies blossom forth, a pool surrounded by soft and hanging greenery which reflects itself in it."