Claude Monet and his paintings
Claude Monet was raised in Normandy, and was initially introduced to painting by Eugene Boudin, who was known for his work that depicted the Channel Coast. Monet eventually studied under Johan Jongkind, who was a Dutch landscapist as well. At the age of 22, Monet had joined a famous school for French artists, that was run by Charles Glyere; a number of famous future impressionist painters were a part of Monet's class, and studied in the same institute to learn the basics of the art form, and the artwork they would be depicting in this style of art.
Early on in his career, Claude Monet only enjoyed a limited amount of success for the works he created. Many of these depicted landscapes and seascapes, and certain portraits of his were accepted into exhibits, in the 1860s. However, many of the famous pieces that became well known later on in his career, were not accepted early on, due to the fact this his style of art had not been accepted in his time. During many exhibits, much of his work was scolded, and was not accepted by the art community, until a period after his career had come to a close. Claude Monet, and others during this time, took this insult and rejection as an honor, and they coined the name impressionists, to depict the type of art that they were creating, which had never been seen before.
With most of his work, Claude Monet turned to figures that he was familiar with, and would paint people and figures that he knew in the works he was creating. Both his first wife Camille, and second wife Alice, were commonly used as models and as test subjects for the new creations and pieces of art that he was creating early on in his career. He traveled quite a bit from France to London, and small surrounding cities during this part of his life, and eventually made his way to Giverny in 1883. Many of the homes he lived in served as molds to work with and create art; not only for Monet, but also for many of his famous artist friends (Manet and Renoir), who worked during this period as well.
Claude Monet followed the style of Barbizon painters, and took a close approach with working with nature, the outdoors, and natural elements in general. However, unlike the Barbizon painters who worked on a small scale, Monet focused on the largest easels and canvases, and when he had a base sketch, he would later perfect the art forms in his studio. Many European conventions were also rejected by Claude Monet, namely because he wanted to capture nature in its purest form, and exactly as it appeared. So, the European approach to bold colors, design styles, and abstract art, was something that he turned away from, as he made more of a real life image of what he was seeing, and the images that he was creating in his art forms.
Two dimension assortments, and asymmetrical arrangements with his work, were also inspired by Japanese wood block prints; and, he abandoned the notion of 3D elements, and worked with linear forms in most of the work he created. Tones and shadows were created using a broad range of colors, and light colored primers were also a main tool used on canvases, rather than the darker grounds that were typically used for traditional paintings.
During this period, Claude Monet would paint the same site over and over, in order to depict the manner in which an image would change on a daily basis, and would change based on the time of the day that he was painting it. Monet rented a room that was across from the Rouen Cathedral, in order to be able to capture the same image, and capture it at perfect angles, at different tones of lighting, and at the right time, to depict the changes in the subject that he was working on. By 1894, he had completed the Rouen Cathedral artwork which is one of his famous art series, and had created them on the ideal canvas for display at large.
By 1910 and 20, Monet took focus on the water lily pond which was created at his Giverny home. Mural sized canvases, which depict the pond, was his final piece of work. This piece depicts an abstract view of the pond, and the flowers, and he used broad color strokes, to help build texture, and depict the image in a particular setting.
This final work created by Claude Monet was taken by the French government, and was used as a centerpiece at a museum. Orangerie in Paris is where the final series of the water lily portraits were placed, to depict the final work of the well respected painter. These pieces were taken by the French government in 1926, shortly after his death, and they are still on display in this famous museum, which also depicts other works which were created by the famous painter Claude Monet, until this day.
Color is my day-long obsession, joy and torment. " - Claude Monet